CELAS E ELAS – DISASSEMBLY SCENES AND BUILDING STANDPOINTS OF SPEECH AND LISTENING IN FEMINIST THEATER

Authors

DOI:

https://doi.org/10.22456/2236-3254.109073

Abstract

This paper imbues reports and reflections on the process of creating the theatrical (de)montage and performance lecture celas e elas, a theatrical experience that addresses gender oppression in metaphorical and real women’s prisons, as an exercise of standpoints of speech and listening in feminist theater.

 

Keywords

Celas e Elas. Standpoint of Speech and Standpoint of Listening. Theatrical Desmontage, Performance Lecture. Feminist Theatre.

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Author Biography

Daiane Dordete Steckert Jacobs, Departamento de Artes Cênicas da Universidade do Estado de Santa Catarina – UDESC.

Professora Associada do Departamento de Artes Cênicas da UDESC - Universidade do Estado de Santa Catarina, na área de voz/interpretação, e do Programa de Pós-graduação em Teatro da UDESC. Diretora de Extensão, Cultura e Comunidade do Centro de Artes da UDESC. Doutora e Mestra em Teatro pela UDESC. Bacharela em Artes Cênicas com habilitação em Interpretação Teatral pela FAP - Faculdade de Artes do Paraná (UNESPAR). É atriz, diretora, dramaturga, contadora de histórias e poeta. Pesquisa nas áreas de voz, atuação, performance, teatro performativo, teatro narrativo, teatro feminista, teoria crítica feminista e estudos de gênero.

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Published

2021-04-20

How to Cite

Steckert Jacobs, D. D. (2021). CELAS E ELAS – DISASSEMBLY SCENES AND BUILDING STANDPOINTS OF SPEECH AND LISTENING IN FEMINIST THEATER. Revista Cena, (33), 105–117. https://doi.org/10.22456/2236-3254.109073

Issue

No. 33 (2021): Dossiê Arte e Trauma

Section

Artigos

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