O TRABALHO DO ATOR E SUAS COMPETÊNCIAS FUNDAMENTAIS NA CENA CONTEMPORÂNEA

Abstract

This article analyses the following fundamental competences necessary to the actor to correspond to the modern demands of the current scene:fundamental qualities of the actor upon the scenes, types of drama text appropriation and character formation, understanding of the concepts of energy and presence, the relation between techniques, creative intuition and character fossilization. This reflexion is developed with the understanding adopted by actors in the state of Rio Grande do Sul selected and interviewed through a structured script of questions, furthermore giving theoretical support to the analysis of the interviews according to the studies of Stanislavski, Craig, Meyehold and Brecht.