The Artist as the Bearer of the Shadow: the look turned to the experience with the Theater of Shadows

Authors

DOI:

https://doi.org/10.22456/2236-3254.120902

Abstract

The following text takes as a starting point the experience with the theater of shadows, initially mediated by the example of the artist Lourdes Castro, who enriched her poetics by investing in the visual arts and the theater of shadows, and undertook promising contaminations between languages. From the description of a scene created in the theater of shadows, the conduction of the gaze turned to think of the definition of artist as the bearer of the shadow. Idea by the artist Marcel Duchamp in another context decades ago, as well as the infra-mince, which in this text, helps to understand the doing on the scene.

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Author Biography

Bethielle Amaral Kupstaitis, Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil

Possui doutorado em Artes Visuais pelo PPGAV - UFRGS, vinculado à área de concentração Poéticas Visuais. Pelo mesmo Programa foi Bolsista CAPES. Mestre em Artes Visuais, com ênfase em Processos de Criação e Poéticas do Cotidiano pelo Programa de Pós-Graduação em Artes Visuais da UFPel (2014). Bacharel em Artes Visuais pela UFRGS (2011). 

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Published

2022-03-19

How to Cite

Kupstaitis, B. A. (2022). The Artist as the Bearer of the Shadow: the look turned to the experience with the Theater of Shadows. Revista Cena, (36), 47–53. https://doi.org/10.22456/2236-3254.120902

Issue

No. 36 (2022): Ói Nóis Aqui Traveiz e outras vivências

Section

Artigos

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