CHOREOLOGICAL STUDIES AS PRAXIS FOR THE CONSTRUCTION OF AN AFFECTIVE DRAMATURGY

Authors

DOI:

https://doi.org/10.22456/2236-3254.104341

Abstract

The present article introduces the Choreological Studies as praxis that, when (a)prehended by the dancer/actor/performer, allows the development of a mastery of movement, empowering him or herself of its creative power in dance making. When embodied, Choreology activates a process of thinking through movement, a type of thinking that I advocate as dramaturgical. To experiment the dramaturgy that emerges from the thinking that happens through movement, we worked with a painting from Wassily Kandinsky as a map of intensities, shapes, dynamics and spatialities that guided the creation of the performers. The resulting creative process of this experimentation revealed an affective dramaturgy, done by the interpreters-creators of the work who, together, organised the affects – individual and collective – in the space-time of the scene.

 

Keywords

Choreological Studies. Dramaturgy. Affect. Creative Process.

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Author Biography

Melina Scialom, Universidade Estadual de Campinas

Doutora em Dança pela Universidade de Roehampton (UK), Especialista em Estudos Coreológicos (Trinity Laban, Londres), Mestre em Artes Cênicas (UFBA), Licenciada e Bacharel em Dança (UNICAMP), Melina é professora colaboradora do Departamento de Artes Cênicas da UNICAMP e pesquisadora de pós doutorado do Programa de Pós Graduação em Artes da Cena da mesma instituição. É performer e fundadora do Núcleo Maya-Lila (São Paulo).

Published

2020-12-11

How to Cite

Scialom, M. (2020). CHOREOLOGICAL STUDIES AS PRAXIS FOR THE CONSTRUCTION OF AN AFFECTIVE DRAMATURGY. Revista Cena, (32), 128–139. https://doi.org/10.22456/2236-3254.104341