No. 11 (2012)

View No. 11 (2012)
Published: 2012-10-30

Editorial

  • Editorial CENA n° 11

    Revista Cena PPGAC
    DOI: https://doi.org/10.22456/2236-3254.34806

  • Expediente CENA n°11

    DOI: https://doi.org/10.22456/2236-3254.34809

Artigos

  • PERFOMING SEARCHES AND MICRO-HISTORICAL POSSIBILITIES IN THE CONTEXT CATALAN/SPANISH

    Luiz Humberto Martins Arantes
    DOI: https://doi.org/10.22456/2236-3254.27979

  • SERAPHIM’S THEATRE COMPANY: ARTAUD, BRECHT AND OTHERS RELATED BEINGS

    Igor de Almeida Silva
    DOI: https://doi.org/10.22456/2236-3254.29054

  • MEMORIES WISHES: CHOREOGRAPHIES RECRIATIONS PROCEDURES OF EVA SCHUL

    Mônica Dantas
    DOI: https://doi.org/10.22456/2236-3254.28264

  • “THE TYPISTS” AND THE MECHANICS OF TIME, ON MECHANIC SCENE OF TIME

    Gustavo Guenzburger
    DOI: https://doi.org/10.22456/2236-3254.28026

  • TRANSITIONS AND STAYS: CONTEMPORARY THEATRE AND THE HISTORY

    Clara de Andrade
    DOI: https://doi.org/10.22456/2236-3254.24098

  • TRANSITIONS AND STAYS: CONTEMPORARY THEATRE AND THE HISTORY

    Fernando Kinas
    DOI: https://doi.org/10.22456/2236-3254.22257

Conexões

  • GROTOWSKI IN NEW YORK WINTER OF 1993

    Juliusz Tyszka
    DOI: https://doi.org/10.22456/2236-3254.33847

  • TIME OF THE TEXT IN THE THEATRE

    Theresia Birkenhauer Trad. Stephan Baumgärtel
    DOI: https://doi.org/10.22456/2236-3254.25752

  • THE LAST AS THEATER: "ARMADS MENS” DUELING AS THE CULTURE OF CRISIS

    Juliusz Tyszka
    DOI: https://doi.org/10.22456/2236-3254.33848

Entrevistas

  • Entrevista: Lygia Vianna Barbosa

    Clóvis Massa, Renato Mendonça
    DOI: https://doi.org/10.22456/2236-3254.33844