AT THE BODY OF (CON)TEXT: OF DAILY TIME, SPECTACULAR TIME
DOI:
https://doi.org/10.22456/2236-3254.72666Keywords:
Corpo. Artes Cênicas. Contexto Social.Abstract
The text addresses the body in relation to the daily time, the context and the spectacular time, reflection anchored in the theories of authors such as Katz & Greiner (2002), Rodrigues (1975), Mauss (2002), Foucalt (1987), Gil (2004) and others. It is possible to consider that the corporeal materialization produces an assertion of the principles and values collectively instituted by the social spheres, as well as feeds the creation of new paradigms and, with this, demonstrates the unique importance that the body assumes for the understanding of the different societies. The context of artistic creation in the performing arts shows itself as fertile ground for the expressiveness of the subjects, for the projection of new ideas and even for the invention of new corporal behavioral modes, which does not diminish the corporal-contextual relation, on the contrary, strengthens the idea that before they exist in a certain way, they are, body and context, in constant movement, in daily time or in spectacular time, giving back and signifying new ways of being and being in society.Downloads
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Published
2017-07-20
How to Cite
Jesus, T. S. de A., & Franken Corrêa, J. G. (2017). AT THE BODY OF (CON)TEXT: OF DAILY TIME, SPECTACULAR TIME. Revista Cena, (22), 185–196. https://doi.org/10.22456/2236-3254.72666
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Artigos
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