TERPSÍ AND RUBENS BARBOT: TRACKS OF THEATER DANCE IN PORTO ALEGRE IN THE 1980S

Authors

  • Newton Pinto da Silva Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.22456/2236-3254.72622

Keywords:

Dança, Teatro, Vídeo, Documento

Abstract

Based on video documents recorded by TVE/RS, a public television station in the State of Rio Grande do Sul, this article discusses two dance works presented in Porto Alegre in the second half of the 1980s: Só, um homem só (1987) from Rubens Barbot and Gatto Larsen and As três parcas ou Retratos V (1988), from Terpsí – Teatro de Dança. The study investigates the creation process, the work of the dancer-creator in dialogue with the choreographer and the themes of the pieces, using as reference the interviews and testimonials of the artists that appear in the analyzed documents.

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Author Biography

Newton Pinto da Silva, Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul

Newton Pinto da Silva é jornalista, graduado em Comunicação Social pela Pontifícia Universidade Católica do Rio Grande do Sul. Mestre em Artes Cênicas pelo Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul.

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Published

2017-07-20

How to Cite

Silva, N. P. da. (2017). TERPSÍ AND RUBENS BARBOT: TRACKS OF THEATER DANCE IN PORTO ALEGRE IN THE 1980S. Revista Cena, (22), 223–235. https://doi.org/10.22456/2236-3254.72622

Issue

No. 22 (2017)

Section

Artigos

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