REFLECTIONS ABOUT THE ACTOR´S TRAINING IN THE CONTEMPORANEITY: IMPACTS OF THE CONCEPTS OF CONTROL, DISCIPLINE AND BRICOLAGE

Abstract

This article born from the issues that rounds the artistic path of one of the researchers aims to reflect about the practice of actor’s training in contemporary scenic works, increasingly contaminated by performative aspects. Therefore, initiates from the approach that the researcher Maria Brigida Miranda performs between actor’s training and the idea of disciplines proposed by Michel Foucault. From the proposed relationship, this research seeks to expand the reflection to approach the training of actors in the contemporaneity to the idea of Gilles Deleuze on the “societies of control”. This converges process for an investigation into the impact that the transition from the ideal of “disciplinary society” to “control society” can generate in the process of training. Finally, it defends the proposal that the actor’s training in contemporary society tends to gain more and more individual aspects and can be analyzed and reflected through a process of bricolage of different techniques.