COMPOSITION AND ACTION AS A PROCESS OF SELF INVENTION: AN ANALYSES OF THE PRACTICE OF THE LUME THEATER GROUP

Authors

  • Elisa Belém

DOI:

https://doi.org/10.22456/2236-3254.67456

Keywords:

Training, Creation, Authorship, Perception

Abstract

The article discusses changes in the understanding of actor training by LUME Teatro (Campinas, SP). From considerations on training as a composition of affects, we discuss possible approaches between the act of creating, the artistic activity and processes of self-invention. The debate is based on the hypothesis that art participates in the formation of subjectivity and is anchored in the writings of authors such as Kastrup; Oneto; Sontag; Quilici, on subjects such as perception, sensitivity and resistance.

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Author Biography

Elisa Belém

Atriz e pesquisadora.

Pós-Doutora em Artes, Escola de Belas Artes da UFMG (2014-2015), bolsa FAPEMIG/CAPES. Pós-Doutora em Artes da Cena, Instituto de Artes da UNICAMP (2015-2016), bolsa PNPD/CAPES.

Doutora em Artes da Cena, Instituto de Artes da UNICAMP, com suporte da bolsa regular e de Estágio de Pesquisa no Exterior da FAPESP. Mestre em Teatro (Estudos da Performance) pela Royal Holloway, University of London; título reconhecido e validado no Brasil pela ECA/USP. Foi bolsista do Programa ALBAN entre 2004 e 2005.

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Published

2016-12-28

How to Cite

Belém, E. (2016). COMPOSITION AND ACTION AS A PROCESS OF SELF INVENTION: AN ANALYSES OF THE PRACTICE OF THE LUME THEATER GROUP. Revista Cena, (21), 13–21. https://doi.org/10.22456/2236-3254.67456

Issue

No. 21 (2017)

Section

Artigos

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