OBSERVATION IN DIALOGUE ABOUT THEATRICAL SOUNDTRACK
DOI:
https://doi.org/10.22456/2236-3254.61485Keywords:
Soundtrack. Entervew. Criation process.Abstract
This paper discusses with eight theatrical soundtrack creators who contributed to the scene of Porto Alegre, scoring questions that follow open in the relationship between music and theater. Author’s dissertation clipping, the interviews were conducted in 2010 and are current. On the observations, a look to the difficulties that we can find in sound proposition for the scene in the theatrical creation processes; they are reverberated by different experiences and a link - the need to expand talks on the existing universe between music and scene.
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