IMAGINING CONSCIOUSNESS AND REFLEXIVE CONSCIOUSNESS: A HISTORY OF THE THEATER IN PORTO ALEGRE FROM IMAGES AND SELF IMAGES

Authors

DOI:

https://doi.org/10.22456/2236-3254.61204

Keywords:

Theater in Porto Alegre, Oral History, Image, Self-image

Abstract

This article proposes to establish similarities and differences in relation to the concept of the self-image of artists and the concept of the image of the theater made in Porto Alegre. The main sources of the research are the oral reports of theater directors Adriane Mottola and Élcio Rossini on their artistic trajectories, based on the concepts of Jean-Paul Sartre’s image and consciousness, and the self-image of Richard Candide Smith. The article seeks to recognize the different points of view raised by these artists and to analyze the recurrent mental images about the theater in Porto Alegre, from the use of Oral History as a procedure and production of knowledge, without the pretension of creating a univocal and totalizing image of theater in the city.

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Author Biographies

Carina Zatti Corá, UFRGS

Carina Zatti Corá tem bacharelado em Teatro com ênfase em Interpretação teatral. É bolsista de iniciação científica CNPq da Pesquisa História e Perspectivas do Teatro em Porto Alegre, orientanda do Prof. Dr. Clóvis Dias Massa.

Clóvis Dias Massa, UFRGS

Mestre em Artes Cênicas pela ECA/USP. Doutor em Letras pela PUCRS. Professor do Departamento de Arte Dramática e do Programa de Pós-graduação em Artes Cênicas da UFRGS.

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Published

2016-12-28

How to Cite

Corá, C. Z., & Dias Massa, C. (2016). IMAGINING CONSCIOUSNESS AND REFLEXIVE CONSCIOUSNESS: A HISTORY OF THE THEATER IN PORTO ALEGRE FROM IMAGES AND SELF IMAGES. Revista Cena, (21), 100–111. https://doi.org/10.22456/2236-3254.61204

Issue

No. 21 (2017)

Section

Artigos Extradossiê

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