GESTURES OF IL PRIMO MIRACOLO OF DARIO FO AND THE PORTINARI WORK IN THE ROBERTO BIRINDELLI WORK

Authors

  • Melize Deblandina Zanoni Universidade do Estado de Santa Catarina

DOI:

https://doi.org/10.22456/2236-3254.61197

Keywords:

Gestures. Dramaturgy. Acction.

Abstract

This article resulted of a research for the production of a dissertation of master’s degree in 2008, which it investigates in which dimension the formalization of proceedings originating from the theater-ground of physical line, in which the scene is a determinant of the spoken text, offers concrete ways for a specific problem of the theatrical art: the relation gestures peech. This text takes as a focus the analysis of a work presented by a Brazilian group that have as base for his dramaturgy the monologue written by the Italian playwright Dario Fo and the work of the Brazilian painter Portinari: Il Primo Miracolo, presented by Roberto Birindelli, of the Cia of the Baby of Porto Alegre.

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Author Biography

Melize Deblandina Zanoni, Universidade do Estado de Santa Catarina

É graduada em Licenciatura em Educação Artística com habilitação em Artes Cênicas e mestre em Artes Cênicas pela UDESC. Atualmente é doutoranda do Programa de Pós-Graduação em Artes Cênicas da Universidade do Estado de Santa Catarina e é coordenadora de cultura e educação complementar do Sesc de Balneário Camboriú.

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Published

2016-01-08

How to Cite

Zanoni, M. D. (2016). GESTURES OF IL PRIMO MIRACOLO OF DARIO FO AND THE PORTINARI WORK IN THE ROBERTO BIRINDELLI WORK. Revista Cena, (18). https://doi.org/10.22456/2236-3254.61197

Issue

No. 18 (2015)

Section

Artigos

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