CHOREOGRAPHING THE SPECTATOR’S BODY: APPROACHES BETWEEN NEURO-ESTHETICS AND DANCE

Authors

  • Helena Thofehrn Lessa Doutoranda em Educação Física na área de Comportamento Motor no Programa de Pós-Graduação em Educação Física da Universidade Federal de Pelotas
  • Thiago Silva de Amorim Jesus Professor Assistente do Curso de Dança – Licenciatura, da Universidade Federal de Pelotas – UFPel, Pelotas, RS, Brasil
  • Josiane Franken Corrêa Professora Assistente do Curso de Dança – Licenciatura, da Universidade Federal de Pelotas e Doutoranda no Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.22456/2236-3254.58771

Keywords:

Dance. Neuroesthetics. Spectator. Mirror neurons.

Abstract

This paper proposed approaches between neuroesthetics and dance, in order to describe possible relationships between dancer and spectator in the aesthetic experience of dance and to point crosses linking neuroesthetics and the artistic and pedagogical process of dance. Literature search provided insights about the sensorimotor mechanisms underlying aesthetic experience that contribute to the idea that watching dance is a creative process that takes place in each viewer. This understanding can help in the configuration of proposals for the dance teaching, legitimizing the aesthetic experience also as a teaching and learning strategy.

 

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Published

2016-01-07

How to Cite

Thofehrn Lessa, H., Silva de Amorim Jesus, T., & Franken Corrêa, J. (2016). CHOREOGRAPHING THE SPECTATOR’S BODY: APPROACHES BETWEEN NEURO-ESTHETICS AND DANCE. Revista Cena, (18). https://doi.org/10.22456/2236-3254.58771

Issue

No. 18 (2015)

Section

Artigos

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