THE SOUND DESIGN IN “THE BLINDS” OF DENIS MARLEAU

Authors

  • Maíra Castilhos Coelho Universidade Estadual Paulista Julio de Mesquita Filho

DOI:

https://doi.org/10.22456/2236-3254.53656

Keywords:

Theatre. Loudness. Presence.

Abstract

This paper intend to analyse the poetic voice of the presentation the play ‘The Blinds’, by Maurice Maeterlinck and staged by Denis Marleau.  The sound of the actors and the manipulations operated on the voices are not intended to produce special effects, but rather seek to harmonize the sound design of the stage. There is a link between the meaning, the voice, the shapes and rhythm, and these elements appear to strengthen the literary text. As the actor is not physically present at the scene, only on the projection of its image, perhaps the presence of the actor emerges through her voice. And how sound is the propagation of a mechanical wave, which spreads through space, perhaps the actor's voice will pass the vehicle mediator and have a presence, a sound presence.

 

 

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Author Biography

Maíra Castilhos Coelho, Universidade Estadual Paulista Julio de Mesquita Filho

Atriz, doutoranda em Artes pela Universidade Estadual Paulista Julio de Mesquita Filho. Bolsista FAPESP. Mestra em Artes Cênicas pelo programa de pós-graduação da Universidade Federal do Rio Grande do Sul. Bacharel em Artes Cênicas pela Universidade Federal do Rio Grande do Sul (2003), com formação em cinema pelo Studio Fátima Toledo (2004).

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Published

2015-03-09

How to Cite

Coelho, M. C. (2015). THE SOUND DESIGN IN “THE BLINDS” OF DENIS MARLEAU. Revista Cena, (16). https://doi.org/10.22456/2236-3254.53656

Issue

No. 16 (2014)

Section

Artigos

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