COMPOSITIONAL PROCESS OF THE POETIC VOICE IN FLOR DAS ÁGUAS DANCE THEATRE

Authors

  • Janaina Trasel Martins Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.22456/2236-3254.52171

Keywords:

Dance-theatre. Physical-vocal action. Spoken word. Female vocality.

Abstract

In this article the creative and compositional procedures for the development of poetic vocality in the dance theater Flower of Waters will be shared. The main theme in this performance is about the water element and the relationship with the feminine nature in her cultural aspects. The dramaturgy of this scenic performance was created through improvisation practices, in which it were woven relations between body, voice and spoken word, between dance and theater. It will be shared some of the practical procedures in the direction of the actresses and the stage direction, with the goal to compose the vocality, the spoken word, the chants and the sounds compositions for the scenes.

 

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Author Biography

Janaina Trasel Martins, Universidade Federal de Santa Catarina

Professora do Curso de Artes Cênicas da UFSC

Área de Voz e Corpo

Doutora em Artes Cênicas pela Universidade Federal da Bahia

Mestre em Teatro pela Universidade do Estado de Santa Catarina

Fonoaudiologa, Especialista em Voz

 

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Published

2015-02-23

How to Cite

Martins, J. T. (2015). COMPOSITIONAL PROCESS OF THE POETIC VOICE IN FLOR DAS ÁGUAS DANCE THEATRE. Revista Cena, (16). https://doi.org/10.22456/2236-3254.52171

Issue

No. 16 (2014)

Section

Artigos

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