THEATER OF THE DEAD: LOST THEATRE, DUEL, PRACTICE MEMORY AND ARGENTINE THEATRE THEORY
DOI:
https://doi.org/10.22456/2236-3254.49709Keywords:
Theater of the dead, Bereavement, Memory of the argentinian theater.Abstract
The concept of the theater of the dead has been growing in extension and acquired a generic sense for us: it refers particularly to the poetic device of memory noted in the post-dictatorship theater, related to the experiences and representations of the past; in general, the boundless mass of theater from our predecessors, theater made by the already dead – artists, technicians and spectators – which returns, in some mysterious way, every time a theatrical event occurs. The memory of the theater of the dead is present in each new event. For all the theater we’ve done and seen, we are - even being still alive - in the historic thickness of the theater of the dead.Downloads
Download data is not yet available.
Downloads
Published
2014-08-26
How to Cite
Dubatti, J. (2014). THEATER OF THE DEAD: LOST THEATRE, DUEL, PRACTICE MEMORY AND ARGENTINE THEATRE THEORY. Revista Cena, (15). https://doi.org/10.22456/2236-3254.49709
Issue
Section
Conexões
License
Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.
Articles are open access distributed under the terms of a Creative Commons Attribution 4.0 International License. Available at: <http: // creative commons.org/licenses/by/4.0>.
Authors can publish their work online in institutional / disciplinary repositories or on their own websites.
