CRAVE: AN ANALYSIS OF THE POST-DRAMATIC PROCEDURE OF SARAH KANE

Authors

  • Lívia Sudare de Oliveira UDESC

DOI:

https://doi.org/10.22456/2236-3254.48163

Keywords:

Sarah Kane, Crave, Post-dramatic, English dramaturgy.

Abstract

This paper investigates the post-dramatic procedures used by Sarah Kane on her work Crave, aiming to refer it to the recent debates concerning the post-dramatic theater, in order to identify the characteristics that give Kane’s texts a post-dramatic aspect. It is also a purpose for this paper to spotlight which characteristics of Sara Kane’s work made here go from enfant terrible to the best english female writer of the 1990’s decade.

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Author Biography

Lívia Sudare de Oliveira, UDESC

Mestra e Doutoranda em teatro pelo Programa de Pós Graduação em Teatro da Universidade do Estado de Santa Catarina. Pesquisa principalmente teatro e regimes autoritários, teatro de revista carioca e cabaret alemão.

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Published

2014-08-30

How to Cite

de Oliveira, L. S. (2014). CRAVE: AN ANALYSIS OF THE POST-DRAMATIC PROCEDURE OF SARAH KANE. Revista Cena, (15). https://doi.org/10.22456/2236-3254.48163

Issue

No. 15 (2014)

Section

Artigos

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