THEATER’S MICROHISTORY OF BRASILIAN COLONIAL: ANCHIETA FATHER AND SÃO LOURENÇO PARTY
DOI:
https://doi.org/10.22456/2236-3254.24083Keywords:
Microhistory, Colonial period, Translation.Abstract
The Brazilian colonial period, seen from the perspective of microhistory presents a multifaceted scenario of people, languages and cultures that combine to produce our great Baroque. Anchieta’s productions are analyzed here as plays that could – and still can – traduce a historical inventive that was violent, but also creative, artistic and innovative. The theatrical genre seems to have been unique in this historical moment, the genre which could best articulate the symbolic and linguistic impasses that were established between conqueror and conquered. The Feast of San Lorenzo, by Anchieta, is analyzed as a literary and theatrical manifestation that could better make the cultural translation.
lDownloads
Downloads
Published
How to Cite
Issue
Section
License
Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.
Articles are open access distributed under the terms of a Creative Commons Attribution 4.0 International License. Available at: <http: // creative commons.org/licenses/by/4.0>.
Authors can publish their work online in institutional / disciplinary repositories or on their own websites.