Creative Processes of two Shows Silêncio por um Minuto (2014) and Neci (2017): A Path to Scene Documents
DOI:
https://doi.org/10.22456/2236-3254.149892Abstract
This article analyzes the process of putting together the shows Silêncio por um minuto (2014) and Neci (2017), both by Companhia Ortaet de Teatro in the city of Iguatu-CE. On this premise, it intends to approach the shows, observing feminist and elderly themes, as well as the language research that begins in these two processes. It is of interest to observe the “scene documents” in both shows. The methodology was based on aspects of “theatrical genetics”, based on researchers Grésillon, Mervant-Roux, Budor (2013) and researcher Silvia Fernandes (2013). The reflections on these shows trace an ethical and aesthetic path that deepens over the years at the Ortaet Theater Company.
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