Rereading Rancière: The Emancipated Spectator

Authors

DOI:

https://doi.org/10.22456/2236-3254.136619

Abstract

It is possible to find different remarks on contemporary performance that are based on Jacques Rancière’s thinking on the question of the spectator reception. Rancière wrote the essay The Emancipated Spectator based on ideas developed in his book The Ignorant Schoolmaster. It was an opportunity for the philosopher to discuss theoretical and politics presuppositions that still underpin the debate on theatre and performance. Reading once more Rancière’s books and analysing his proposal of politics as dissensus, this paper asks if we have sufficiently discussed emacipation and reception.

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Author Biography

Elisa Belém, Universidade Federal do Rio Grande do Norte – UFRN, Natal/RN, Brasil.

Pós-Doutorado em Artes da Cena pelo IA, UNICAMP (2015-2016); Pós-Doutorado em Artes pela EBA, UFMG (2014-2015).Doutorado em Artes da Cena do Instituto de Artes da UNICAMP, com o suporte da bolsa FAPESP. Mestrado em Teatro (Estudos da Performance) pela Royal Holloway, University of London; título reconhecido e validado no Brasil pela ECA/USP. Foi bolsista do Programa ALBAN entre 2004 e 2005.

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Published

2024-10-21

How to Cite

Belém, E. (2024). Rereading Rancière: The Emancipated Spectator. Revista Cena, 42(3), 01–09. https://doi.org/10.22456/2236-3254.136619

Issue

Vol. 42 No. 3 (2024): Revista Cena

Section

Ensaios

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