Between powers, vulnerabilities, and narratives of the burlesque body

Authors

DOI:

https://doi.org/10.22456/2236-3254.135471

Abstract

The article explores the relationship between power and vulnerability in the context of burlesque, a multifaceted artistic domain that subverts norms and conventions. The aim of this study is to unveil the complex interactions between the naked female body and burlesque performances, highlighting how this interaction raises profound questions about the dichotomy of female autonomy and patriarchal constraints. The article belongs in the scope of performing arts and has as its reference authors such as Sheril Dodds (2013), Annie Suquet (2012) and José Gil (2013), among others, and also uses dance experiences anchored in the bodies of the authors as autoethnography tools.Through this investigation, conclusions emerge that reveal burlesque as a space of resistance and resignification of paradigms, where power is dynamic.

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Author Biographies

Gabriela Maffazzoni Chultz, Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil

Gabriela Maffazzoni Chultz é Artista e pesquisadora na área da dança. Doutora e Mestre em Artes Cênicas pelo Programa de Pós-Graduação em Artes Cênicas (UFRGS). Bacharel em Teatro (UFRGS). Foco de pesquisa em dança/ mulheres/danças sensuais. 

Suzane Weber da Silva, Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil

Suzane Weber da Silva é Bolsista Capes de Pós-Doutorado na Coventry University/Centre for Dance Rese-arch (Reino Unido); Doutora em Estudos e Práticas Artísticas pela Université du Québec à Montréal (Canadá); Profes-sora associada na Universidade Federal do Rio Grande do Sul (UFRGS) no Curso de Teatro da UFRGS.

Published

2024-01-22

How to Cite

Maffazzoni Chultz, G., & Weber da Silva, S. (2024). Between powers, vulnerabilities, and narratives of the burlesque body. Revista Cena, 42(1), 01–12. https://doi.org/10.22456/2236-3254.135471