From subtext to in between
DOI:
https://doi.org/10.22456/2236-3254.133390Abstract
This paper reflects on the notion of subtext, which was understood, along with Constantin Stanislavski's system, as a kind of framework or support for acting. The thought exposed here relates this process to the spheres shared between actors and spectators in order to reflect on the presence of subtexts in contemporary scenic practices.
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