Piá: ancestrality, artistic creation and danced movement

Authors

DOI:

https://doi.org/10.22456/2236-3254.133141

Abstract

In this article, the author dedicated herself to using a corporal practice in Dance, and made use of an exploratory methodology based on the knowledge, customs and traditions of the Orixás and indigenous warriors, whose choreographic composition was entitled Piá. There is, in this way, a rescue of experiences, as well as a relevant contribution to the expansion of theoretical and practical repertoires of Dance as an area of ​​knowledge, which moves from the perspective of an anti-racist artistic education, centered on ancestry.

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Author Biography

João Vítor Ferreira Nunes, Universidade do Estado de Santa Catarina – UDESC, Florianópolis/SC, Brasil

João Vítor Mulato é artista-docente interdisciplinar. Possui graduação no curso de Licenciatura em Pedagogia pela Faculdade Maurício de Nassau (UNINASSAU), Licenciatura em Teatro e Dança pela Universidade Federal do Rio Grande do Norte (UFRN). Especialização em Consciência Corporal, Saúde e Qualidade de Vida (UFRN) e Especialização em Ensino de Teatro (IFRN). Mestrado pelo Programa de Pós-graduação em Artes Cênicas da Universidade Federal do Rio Grande do Norte (PPGArC/UFRN). Doutoranda no Programa de Pós-graduação em Teatro da Universidade do Estado de Santa Catarina (PPGT/UDESC). Currículo Lattes: http://lattes.cnpq.br/3721151240251862. Orcid iD: https://orcid.org/0000-0003-3066-6623. E-mail: joãovitormulatto@gmail.com

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Published

2023-09-06

How to Cite

Nunes, J. V. F. (2023). Piá: ancestrality, artistic creation and danced movement. Revista Cena, 41(3), 01–12. https://doi.org/10.22456/2236-3254.133141

Issue

Vol. 41 No. 3 (2023): Revista Cena

Section

Artigos

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