In Listening to the I-female, in the Ground of the Arts of the Scene: the dramaturgy of orality as a path os creation

Authors

DOI:

https://doi.org/10.22456/2236-3254.118341

Abstract

In this article, I use a theoretical-practical trajectory, where I had my body and the feminine side of my personality, anima (Jung, 2000), as the driving forces of research that take place in the field of the performing arts. For the structuring of this material, it was necessary not only to camp in my inner dimension, but to carry out the Listening Research journey (NUNES, 2020b), this being an individuation process that aims to uncover narratives that were once allocated in the personal/collective intimacy, so that these contents serve as a repertoire for the creation of theoretical and practical processes. Such a journey made me meander in my fields of memory, thus erecting a tripod for interlocution between jungian analytical psychology, performing practices and autobiographical narratives, whose goal is to establish meetings with myself.

 

Keywords

Personal Dance. Dramaturgy of Orality. Anima Energy. Female in male. Listening research.

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Author Biography

João Vítor Ferreira Nunes, Universidade do Estado de Santa Catarina (UDESC)

João Vítor Mulato é artista-docente interdisciplinar. Possui graduação no curso de Licenciatura em Pedagogia pela Faculdade Maurício de Nassau (UNINASSAU), Licenciatura em Teatro e Dança pela Universidade Federal do Rio Grande do Norte (UFRN). Especialização em Consciência Corporal, Saúde e Qualidade de Vida (UFRN) e Especialização em Ensino de Teatro (IFRN). Mestrado pelo Programa de Pós-graduação em Artes Cênicas da Universidade Federal do Rio Grande do Norte (PPGArC/UFRN). Doutoranda no Programa de Pós-graduação em Teatro da Universidade do Estado de Santa Catarina (PPGT/UDESC). Currículo Lattes: http://lattes.cnpq.br/3721151240251862. Orcid iD: https://orcid.org/0000-0003-3066-6623. E-mail: joãovitormulatto@gmail.com

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Published

2021-12-02

How to Cite

Nunes, J. V. F. (2021). In Listening to the I-female, in the Ground of the Arts of the Scene: the dramaturgy of orality as a path os creation. Revista Cena, (35), 16–23. https://doi.org/10.22456/2236-3254.118341

Issue

No. 35 (2021): Cena

Section

Artigos

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