BOB WILSON'S FIRST CREATIVE PROCESSES AND HIS RELATIONSHIPS WITH A FREE CHILDHOOD

Authors

  • Lucas Pinheiro Doutorando em Artes da Cena - Universidade Estadual de Campinas Professor Colaborador na Licenciatura em Teatro - Universidade Estadual do Paraná/Faculdade de Artes do Paraná

DOI:

https://doi.org/10.22456/2236-3254.100532

Abstract

The present essay seeks to reflect how Bob Wilson's early works relate to the idea of a free and creative childhood - in contrast to that which is surrounded, guided, induced or silenced by the figure of an adult, as points out Hannah Arendt (2003 ). To this end, we sought to intersect some reflections on childhood present in Marina Machado (2010a; 2010b; 2013; 2014; 2016), Manuel Sarmento (2002; 2008), Hannah Arendt (2003) and Jorge Larossa (1988), among others, with Wilson's first theatrical experiences, in the early 1970s.

 

Keywords

Bob Wilson. Theater. Childhood. Infant. Poetic Creation.

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Author Biography

Lucas Pinheiro, Doutorando em Artes da Cena - Universidade Estadual de Campinas Professor Colaborador na Licenciatura em Teatro - Universidade Estadual do Paraná/Faculdade de Artes do Paraná

Professor colaborador no curso de Licenciatura em Teatro  da Faculdade de Artes do Paraná/Universidade Estadual do Paraná (FAP/UNESPAR). Doutorando e Mestre em Artes da Cena pela Universidade Estadual de Campinas (UNICAMP). Desenvolve pesquisas na área de "Poéticas e Linguagens da Cena", investigando as possíveis relações entre cena-deficiência-criação e infância.

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Published

2020-12-11

How to Cite

Pinheiro, L. (2020). BOB WILSON’S FIRST CREATIVE PROCESSES AND HIS RELATIONSHIPS WITH A FREE CHILDHOOD. Revista Cena, (32), 330–339. https://doi.org/10.22456/2236-3254.100532

Issue

No. 32 (2020): Dossiê A Arte do Movimento de Rudolf Laban

Section

Ensaios

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