LABANIAN ECHOES IN EVA SCHUL'S DANCING PEDAGOGY

Authors

  • Fellipe Santos Resende Universidade Federal do Rio Grande do Sul
  • Suzane Weber da Silva Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.22456/2236-3254.104787

Abstract

This article seeks to bring the notion of labanian echoes from technical elements present in Eva Schul's contemporary dance classes, considering aspects related to the movement affiliation of Rudolf Laban that reach Eva Schul through Hanya Holm and Irmgard Bartenieff. Its methodological design includes observation, regular practice of Schul's classes, semi-structured interview with her, description and imagery contextualization of elements present in her classes and theoretical contributions that support them. Examples of elements that embody labanian echoes in Schul’s classes: floorwork, six modern vocabulary positions and pendulums (from Holm); core muscle support, bonny connections, homo and contralaterality, body-half, knee drop, arm circles and pelvic propulsion (from Bartenieff). Since it has been re-elaborated and disseminated by different figures, Laban’s legacy reaches Schul generating echoes in her classes, a scenario of significant poetic and historical potency, regarding the transmissibility of incorporated knowledge, and updating of thoughts and practices into a contemporary dance pedagogy.

 

Keywords

Dance. Eva Schul. Labanian Echoes.

Downloads

Download data is not yet available.

Author Biographies

Fellipe Santos Resende, Universidade Federal do Rio Grande do Sul

Doutorando no Programa de Pós-Graduação em Artes Cênicas (PPGAC) da Universidade Federal do Rio Grande do Sul (UFRGS), Mestre em Artes Cênicas pela UFRGS, Especialista em Dança pela UFRGS, Bacharel em Fisioterapia pela Universidade Federal de Goiás (UFG), instrutor do método Pilates e artista da Dança. 

Suzane Weber da Silva, Universidade Federal do Rio Grande do Sul

Professora no Programa de Pós-Graduação em Artes Cênicas e professora associada no Departamento de Arte Dramática (UFRGS). Coordenadora Adjunta do Projeto Carne Digital: Arquivo Eva Schul, Bolsista Capes para realização de Pós-Doutorado na Coventry University/Centre for Dance Research (Reino Unido), Doutora em Estudos e Práticas Artísticas pela Université du Québec à Montréal (Canadá), Mestre em Ciências do Movimento Humano e Bacharel em Interpretação Teatral (UFRGS). 

Published

2020-12-11

How to Cite

Resende, F. S., & Silva, S. W. da. (2020). LABANIAN ECHOES IN EVA SCHUL’S DANCING PEDAGOGY. Revista Cena, (32), 259–274. https://doi.org/10.22456/2236-3254.104787