For a Theatrical Genetics: assumptions and challenges

Authors

  • Almuth Grésillon Centre National de la Recherche Scientifique – CNRS
  • Marie-Madeleine Mervant-Roux (Centre National de la Recherche Scientifique, CNRS - Paris, França)
  • Dominique Budor (Université Paris III Sorbonne Nouvelle – França)

Keywords:

Theatrical Genetics, Theatre, Text, Performance, Unfinishedness

Abstract

Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text cuts; variations in body movements; different voice timbres; lighting; the pace of the event, etc. In these conditions, how is it possible to retrace the genesis of the work, among objects of several kinds and with multiple finishes?

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Published

2022-10-16

How to Cite

Grésillon, A., Mervant-Roux (Centre National de la Recherche Scientifique, CNRS - Paris, França), M.-M., & Budor (Université Paris III Sorbonne Nouvelle – França), D. (2022). For a Theatrical Genetics: assumptions and challenges. Brazilian Journal on Presence Studies, 3(2), 379–394. Retrieved from https://seer.ufrgs.br/index.php/hcpa/management/settings/website/index.php/presenca/article/view/36374

Issue

Section

Theatrical Genetics

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