From Registers to Reflections on the Body in Process of Creation
Keywords:
Body, Process of creation, Register, ResonanceAbstract
The article presents a reflection on the body through the study of movement registers in the creation process of the show Aldebaran, by Grupo Oficcina Multimédia. Considering the body as the focus, an inventive observation, corporeal reading of movement drawings and a literature review were undertaken. Movement registers are discussed as performative mnemonic instances that enable corporeal resonances between the scholar of the process and the images of the movements. The body in resonance is shown as a condition for poetic interactions in scene constitution in dance and theater, and resonance is considered as a corporeal operator of artistic fruition and alterity practices.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.
