https://seer.ufrgs.br/index.php/fotocronografias/issue/feedFotocronografias2024-11-21T13:56:25-03:00Open Journal Systems<div class=""> <h1 id="ad8f" class="pw-post-title it iu iv bn iw ix iy iz ja jb jc jd je jf jg jh ji jj jk jl jm jn jo jp jq jr fx" data-selectable-paragraph="">Fotocronografias</h1> </div> <p id="7074" class="pw-post-body-paragraph kk kl iv km b kn ko jw kp kq kr jz ks kt ku kv kw kx ky kz la lb lc ld le lf io fx" data-selectable-paragraph="">A Revista fotocronografias objetiva divulgar ensaios fotográficos que resultem de pesquisas etnográficas e de estudos antropológicos. A circulação deste material imagético converge com os interesses do projeto Banco de Imagens e Efeitos Visuais de promover a antropologia com imagem e a extroversão do patrimônio antropológico em imagens. Nosso desafio consiste em promover uma etnografia da duração que tem por base a construção de coleções etnográficas digitais no suporte da informática disponibilizada no portal <a class="au lg" href="http://www.biev.ufrgs.br/" target="_blank" rel="noopener ugc nofollow">www.biev.ufrgs.br</a></p> <blockquote class="lh li lj"> <p id="a8a1" class="kk kl lk km b kn ko jw kp kq kr jz ks ll ku kv kw lm ky kz la ln lc ld le lf io fx" data-selectable-paragraph=""><em><strong class="km iw">English Version</strong></em></p> </blockquote> <p id="18af" class="pw-post-body-paragraph kk kl iv km b kn ko jw kp kq kr jz ks kt ku kv kw kx ky kz la lb lc ld le lf io fx" data-selectable-paragraph=""><em>The Fotocronografias magazine aims to disseminate photographic essays that result from ethnographic researches and anthropological studies. The circulation of this material converges with the interests of the Bank of Images and Visual Effects project to promote anthropology with image and the extraversion of the anthropological heritage in images. Our challenge is to promote an ethnography of duration that is based on the construction of digital ethnographic collections available on <a class="au lg" href="http://www.biev.ufrgs.br/" target="_blank" rel="noopener ugc nofollow">www.biev.ufrgs.br</a></em></p> <p> </p> <p> </p>https://seer.ufrgs.br/index.php/fotocronografias/article/view/144116Das listas, inventários, catálogos, coleções e enciclopédias: registros caminhantes de uma sobrevivência das imagens.2024-11-21T10:40:37-03:00Jessica de Souza Andradejessica.souza.andrade@usp.brRicardo Luis Silvaricardo.lsilva@sp.senac.br<p>A revista Fotocronografias em sua 25º edição traz como temática os inventários, os catálogos, as coleções e as enciclopédias, todos entendidos como elementos de tentativas de ordenar e organizar o mundo. Mapas multidimensionais, de tempo e espaço, das experiências e “encontros” dos seres caminhantes e exploradores da vida cotidiana nas/das cidades contemporâneas. O convite feito pelos editores ao Estudio Ceda el paso continha uma provocação irrecusável: atrelar importantes eixos de atuação do estúdio: o caminhar como prática e método, a materialização física e subjetiva do espaço urbano e dos citadinos que a vivenciam, tanto na perspectiva das leituras urbanas provenientes da Arquitetura, quanto daquelas leituras feitas em campo, implicadas no cotidiano de diferentes territorialidades, a fim de aproximar-se das práticas, dinâmicas, redes, trajetórias de vida e sociabilidades desses múltiplos atores sociais via ferramentas provenientes do fazer antropológico. As listas e agrupamentos catalográficos resultados dessa postura ao encarar o espaço urbano contemporâneo, complexo e multifacetado, se configuram como elementos indiciais, vestígios que indicam e apontam possibilidades de compreensão de nossa presença e relação com o mundo.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Jessica de Souza Andrade, Ricardo Luis Silvahttps://seer.ufrgs.br/index.php/fotocronografias/article/view/144120Ephemeral Archaeologies2024-11-21T13:40:33-03:00Ivan Padovanicontato@ivanpadovani.comNathalia Lavignenathalialav@gmail.com<p><em class="ln">In the critical essay “Ephemeral Archaeologies”, produced in the context of the Trauma exhibition in 2018, Nathalia Lavigne analyzes images of stalled infrastructure works carried out by Ivan Padovani in São Paulo — an almost standard landscape in the city, especially in the last few years leading up to the urban transformations promised for the 2014 World Cup. However, by isolating these concrete blocks and metal beams from any other reference, the structures take on the appearance of monuments, evoking an ideal of transformation that seems to have been put on hold. The text highlights issues such as a state of permanent suspension in these images, evoking a present that repeats itself in the form of monotonous concrete beams and the prelude to an imposing, ambitious, promising future, but which has not arrived and no one knows when it will.</em></p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Ivan Padovani, Nathalia Lavignehttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142232Projeto RUA - Arte e cidade: práticas e montagem2024-08-31T11:05:49-03:00Priscila Bellottipriscila.bellotti@unesp.br<p><span style="font-weight: 400;">This research considers the city as an arbitrary, complex, inventive and constantly becoming that inspires artists and researchers to produce and reflect based on their urban experiences. The methodology used is walking combined with photography, graphic printing techniques and the principle of montage as a method of knowledge and creative process.</span></p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Priscila Bellottihttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142112As caixas de correspondência2024-08-31T23:40:24-03:00Carolina Carmini Marianocarmini.carolina@gmail.com<p>Living in cities and walking through their streets provides us with contact with various clues about their history, construction processes and temporalities that overlap and communicate. One of these elements, the subject of this essay, are the mailboxes present in most homes around the world. Their presence on gates, doors and facades – as well as their absence – mark the processes of development and modification of urban habits and transformation in city life.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Carolina Carmini Marianohttps://seer.ufrgs.br/index.php/fotocronografias/article/view/144123Yellow things in the late afternoon2024-11-21T13:56:25-03:00Ana Claudia Camila Veiga de Françaoianafranca@gmail.com<p><em class="ln">In this essay, I present a list of yellow things in the late afternoon. These are photographs I took in Curitiba during the winter while walking around the city with my baby. In this proposal of walking, carrying, capturing, and collecting, I highlight how a photographic list can break the monotony of everyday life and challenge the constraints of urban space.</em></p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Ana Claudia Camila Veiga de Françahttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142245Mundo em quatro quadras: andanças e maternagem2024-08-31T17:55:03-03:00Alline Alves Nakamuraallinenakamura@gmail.com<p>This essay comprises photographs and notes from a mother walking with her daughter, who is only five months old. The images and texts, often created with Clarice in her arms, were made via cell phone during journeys through the streets of Atibaia, a city in the countryside of São Paulo state where they live.</p> <p> </p> <p>Keywords: mothering, motherhood, photography, strolling, landscape</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Alline Alves Nakamurahttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142231O Corpo na Cidade: Caminhadas e Conexões Urbanas2024-08-31T01:09:47-03:00Lucas Pamiolucas.s.pamio@unesp.br<p>A cidade, sempre em mudança, é um campo rico para pesquisa interdisciplinar. Caminhar por ela ajuda a reconectar com o ambiente, revelando suas complexidades e particularidades. Percursos como “Sé-Ó”, “Bauru Central” e “Território do CRAS Betinha” oferecem insights sobre o espaço urbano e suas dinâmicas sociais. A combinação da caminhada com o registro fotográfico promove uma reflexão crítica e valoriza as histórias urbanas, destacando a relação entre corpo, espaço e memória.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Lucas Pamiohttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142223On the Grid2024-08-30T19:52:37-03:00Leonardo Eichingerleonardo.cadastros@gmail.com<p>The daily routine of a worker in São Paulo highlights what the city offers its residents day by day. Obstacles or solutions? Emphasizing daily challenges, this snapshot of everyday life doesn’t forget the human essence behind professional responsibilities.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Leonardo Eichingerhttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142249Between student paths and trajectories of Youth and Adult Education2024-08-31T19:56:24-03:00Katiuci Paveiprofsociologia.katiuci@gmail.com<p>This project was released with students of EJA from de Application School of UFRGS. After a walk following the routes to school and paths inside the educational space during the night shift, a project emerged that searched the ampliation of the student’s visibility by the production of portraits, focused on the self-representation and with narratives of themselves, here presented in the form of a school yearbook of EJA 2023 class.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Katiuci Paveihttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142123O samba em torcidas organizadas2024-08-31T12:19:30-03:00roberto souza juniorr.alencarjunior@hotmail.com<p>Neste trabalho busco protagonizar o samba como uma das diversas sociabilidades e pertencimentos em torcidas organizadas para além das dinâmicas em torno unicamente do futebol. Com isto, e a partir do contexto etnográfico entre Gaviões da Fiel e Mancha Verde, procuro discutir como as listas e inventários de registros visuais podem deslizar de um olhar estático e classificatória, para uma narrativa caminhante com novos atores e significados, antes reduzidos a uma única perspectiva totalizante.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 roberto souza juniorhttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142250Relocation Postcards2024-08-31T20:12:36-03:00Romina Olejarczykromiolejar@gmail.com<p> </p> <p><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">En el municipio de Almirante Brown grupos familiares en riesgo ambiental están siendo reubicados en viviendas estatales. Este catálogo -que surge de paseos durante mi trabajo de campo etnográfico- presenta </span></span><em><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">casa-carcasa</span></span></em><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> , demoliciones y escombros en un intento de abordar la cuestión del movimiento como un proceso conmovedor y agotador; que implica múltiples esfuerzos y afectos; que recrea un paisaje de imágenes y sonidos que no pasan desapercibidos para ningún transeúnte.</span></span></p> <p> </p> <p> </p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Romina Olejarczykhttps://seer.ufrgs.br/index.php/fotocronografias/article/view/142210How to study with the invasive leaves in the rectory of the Federal University of Paraíba?2024-08-30T10:11:15-03:00Candice Didonetcandicedidonet@gmail.com<p>What you feel on a short walk around the rectory of the Federal University of Paraíba is a hostile architectural space. There are hardly any people in a state of pause, leisure or contemplation. This essay presents a collection of images of invading leaves that reveal a vegetal landscape that drives the question that titles this essay. The landscapes, considered here as passages, occupy a wall piercing the sensitisations for this writing with vegetal existences.</p>2024-11-21T00:00:00-03:00Copyright (c) 2024 Candice Didonet