PARADIGMATIC ARRANGEMENTS AS EXTRATION FIELD OF THE HYBRID FRAMING GAME

Abstract

Starts from a historic trace of anti-realistic movement of the twentieth century, the accent on their differences and a common denominator: the opposition to “a closed visuality where it reigns subjective relationships to be represented”. the anti-realistic character becomes a kind of guidance to the contemporary theatrical production. However, locking a debate by postulating realistic arrangement as propellant of estrangement, resorting Roubine’s propositions and concepts from Lacan and Dunker. The realism appears as a poetic grounded in the disbelief of the look or the effect of hallucination. It is intended to enlarge the perspective of acceptance of realism as one of the possible fields of extraction materials to be mixed for fabrication of new contemporary arrangements.