AUTOBIOGRAPHY AND THE POSSIBILITY OF A SCENE ENGAGED: THE EXPERINCE PROJECT PROMETHEUS AND TESTIGO DE LAS RUÍNAS DEL THEATER GROUP MAPA
DOI:
https://doi.org/10.22456/2236-3254.24525Keywords:
Fiction, Autobiography, Documentary theater, Memory.Abstract
This paper presents a reflection on the artistic dynamics that are established at the boundaries between fiction and reality. To do so, it studies the theatrical experience proposed by Proyecto Prometeu and Testigo de Las Ruínas, coordinated by the colombian group Mapa Teatro. We pretend to raise some considerations on the aesthetic and ethical presuppositions written into these theatrical projects, whose original creative impulse was to as stimulate discussions related to the expropriation suffered by residents of the presently extinguished neighborhood of Santa Inês, by drawing on the impressions, memories and personal reports of former residents. This paper examines specifically the ways and goals of the use of personal narratives of former residents in constructing the scenic actions of these performances.
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