"Catherine Dasté is not dead!": interview with Catherine Dasté

Authors

DOI:

https://doi.org/10.22456/2236-3254.126209

Abstract

She watched Etienne Decroux present the first results of his research in her home sitting on the lap
of her father, Jean Dasté. She grew up watching
her mother, Marie-Hélène Dasté, rehearse and perform alongside figures like Jean-Louis Barrault. She
was the wife of musician Graeme Allwright. She is
the granddaughter of Jacques Copeau. As a theatre director, she was one of those responsible for a
revolution in the ways of doing and thinking about
theatre for children and adolescents in France. In
this interview, Catherine Dasté talks about her theatrical career and her family history, which is itself
intertwined with the history of French theatre. The
interview was conducted in 2016 as part of my doctoral research at Université Sorbonne Nouvelle Paris III, thesis entitled L’enfant comme modèle dans
la pédagogie théâtrale. Dans les approches de Jacques Copeau, Jacques Lecoq et Philippe Gaulier

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Author Biography

Rodrigo Cardoso Scalari, Université Sorbonne Nouvelle - Paris III - Paris/Île-de-France, França

Rodrigo Cardoso Scalari is actor, researcher and theatre teacher. PhD in Theatre Studies by the Université Sorbonne Nouvelle - Paris III (FR), with the support of the Full Doctorate Abroad Scholarship from CAPES (Ministry of Education/Brazil). Master in Theatre by the University of Campinas (UNICAMP/Brazil), with the support of the FAPESP Master Scholarship (São Paulo Government/Brazil). Graduated in Theatre by the Federal University of Rio Grande do Sul (UFRGS/Brazil). At the École Philippe Gaulier (FR), he studied acting styles: Le Jeu, Neutral Mask, Greek Tragedy, Larval Masks, Commedia dell'Arte, Characters, Melodrama, Shakespeare/Tchekhov, Buffoon and Clown. He is particularly interested in discussions on the education, training and direction of the actor.

Published

2022-12-19

How to Cite

Scalari, R. C. . (2022). "Catherine Dasté is not dead!": interview with Catherine Dasté. Revista Cena, 23(39), 01–09. https://doi.org/10.22456/2236-3254.126209