A Potencial Film: script analysis and staging in moscow

Authors

DOI:

https://doi.org/10.22456/2236-3254.123386

Abstract

The article intends to study new scripting and staging procedures in documentary, based on the analysis of Moscow (2009), by Eduardo Coutinho. The film breaks with any documentary reference by bringing fragments of essays from the play The Three Sisters by Anton Tchekhov, by Grupo Galpão from Belo Horizonte (MG) and with exercises performed by the actors, without actually concluding the staging of the play. By resorting to the method of film analysis, the article concludes that by raising new possibilities and bringing a potential, open and unfinished film, Coutinho enriches the practical, theoretical and conceptual horizons on cinematographic language and the multiple narrative and visual strategies of cinema.

Downloads

Download data is not yet available.

Downloads

Published

2022-05-24

How to Cite

Oliveira, H. (2022). A Potencial Film: script analysis and staging in moscow. Revista Cena, 1(37), 01–09. https://doi.org/10.22456/2236-3254.123386

Issue

No. 37 (2022): Fernando Peixoto: rastros de uma trajetória "fora do eixo"

Section

Artigos

License

Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.

Articles are open access distributed under the terms of a Creative Commons Attribution 4.0 International License. Available at: <http: // creative commons.org/licenses/by/4.0>.

Authors can publish their work online in institutional / disciplinary repositories or on their own websites.