O MOVIMENTO DA SIGNIFICAÇÃO - O JOGO DO TEXTO E O JOGO DA CENA
DOI:
https://doi.org/10.22456/2236-3254.11087Keywords:
Theatre Reception, The Movement of Meaning, The Game in the Text and in the SceneAbstract
The movement of meaning implies the game in the text and the scene. This article focuses the reception aesthetics and the potential impact of the perception of this movement for actors, directors and theatre teachers.
This investigation was backed by the theories of Hans-Robert Jauss and Wolfgang Iser. Both allow for reconsidering the role of the director – the concept of horizon of expectations (Jauss, 1982, 1994) points to the nature of the individual and collective aesthetic experience and its implication regarding the diversity of the cast and the public. The concept of gaps (Iser, 1974, 1978, 1998) calls for investigating the role of the director at the processes of production and reception – on planning and structuring the process and on selecting strategies he is framing the construction of the narrative and its possible reception.
The game of the text and the scene is observed from the point of view of its resonance with the social context of the spectator, and the transgression of usual forms of presentation.
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