Merzbau: the interpretation of the world as a living form without first causes

Autores

  • Pedro Pousada

DOI:

https://doi.org/10.22456/2179-8001.73731

Palavras-chave:

Merzbau. Kurt Schwitters. Modernism. Art. Architecture.

Resumo

This article is gives further thought to the article “Merzbau, the grave of the logocentric self: He who screams becomes the space”, published in the Porto Arte journal, issue 34, 2015, presenting considerations on the Merzbau of Hanover as a “para-architectural” experience and as a doctrine of environmental comfort, linked to intense sensation and mnemonic relaxation.

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Publicado

2017-08-09

Como Citar

Pousada, P. (2017). Merzbau: the interpretation of the world as a living form without first causes. PORTO ARTE: Revista De Artes Visuais (Qualis A2), 21(35). https://doi.org/10.22456/2179-8001.73731