IF THE VERB BECAME MEAT: FOR A PERFORMATIVITY OF THE WORD IN THE BRAZILIAN CONTEMPORARY THEATRE

Authors

  • Nina Caetano Universidade Federal de Ouro Preto
  • Phelippe Celestino Universidade Federal de Ouro Preto

DOI:

https://doi.org/10.22456/2236-3254.52013

Keywords:

Dramaturgy. Textuality. Espanca!. Contemporary theater.

Abstract

This article aims to explain recurring characteristics in contemporary drama and its relations with the scenic materiality. The principle makes a brief historical background, about word usage modes in the composition of theatrical writers present in the history of Western theater. Then discusses performative aspects of the theatrical text, and reflects on the use of the text in contemporary theater. Therefore, as the example object the staging and dramaturgy of Congresso Internacional do Medo the group Espanca!. Thereby, aims to raise possibilities to think some aspects of the current drama and suggest reflection points on the dialogue text-scene.

Downloads

Download data is not yet available.

Downloads

Published

2015-02-19

How to Cite

Caetano, N., & Celestino, P. (2015). IF THE VERB BECAME MEAT: FOR A PERFORMATIVITY OF THE WORD IN THE BRAZILIAN CONTEMPORARY THEATRE. Revista Cena, (16). https://doi.org/10.22456/2236-3254.52013

Issue

No. 16 (2014)

Section

Artigos

License

Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the work with acknowledgment of authorship and initial publication in this journal.

Articles are open access distributed under the terms of a Creative Commons Attribution 4.0 International License. Available at: <http: // creative commons.org/licenses/by/4.0>.

Authors can publish their work online in institutional / disciplinary repositories or on their own websites.