Photography as a visual note for printmaking

Niura Legramante Ribeiro

Resumo


Since the emergence of photography in the 19th century, technical image is known to have provided compositional reasons for printmakers’ creation processes. This article addresses relations between photography and printmaking in the works of certain contemporary artists. The photograph as
a record of a light snapshot, spatial landscape structures, body memories, among others is found in the works of artists such as Alex Flemming, Claudio Mubarac, Lurdi Blauth, Marco Buti, Maristela Salvatori, Miriam Tolpolar, and Regina Silveira. The study seeks to show how photography-based prints may or may not retain evidence of photographic codes.

Palavras-chave


Photography. Printmaking. Contemporary Art.

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Referências


Books:

COKE, Van Deren. The Painter and the Photographer: from Delacroix to Warhol. New Mexico: University of New Mexico Press, 1975.

MARTINS, Alberto (Ed.). Gravuras e Fotografias de Marco Buti. São Paulo: Cosac Naify, 2006.

MORAES, Angélica de (Ed.); Regina Silveira. Cartografias da Sombra. São Paulo, EDUSP, 1995.

SCHARF, Aaron. Arte y Fotografía. Madrid: Alianza Editorial, 2001.

Interviews:

Marco Buti, interview to the author, April 4, 2011, Porto Alegre.

Marco Buti, interview to the author, February 13, 2011, São Paulo.

Maristela Salvatori, interview to the author, May 24, 2011, Porto Alegre.

Miriam Tolpolar, interview to the author, January 2003, Porto Alegre.

Miriam Tolpolar, interview to the author, August 5, 2011, Porto Alegre.

Claudio Mubarac, lecture Cadernos de precisões: objetos frágeis (ideias de fabricação). Porto Alegre: Rio Grande do Sul Memorial, August 18, 2012.




DOI: https://doi.org/10.22456/2179-8001.80783

Direitos autorais 2018 Niura Legramante Ribeiro

Licença Creative Commons
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.

PORTO ARTE: e-ISSN 2179-8001


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