O atelier transparente, ou uma metáfora para a pintura. | The transparente atelier, or a metaphor for painting
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The light that passes through the glass is already represented in the description of the pictorial process since the carnets from Leonardo da Vinci. The window of an atelier acquires this function of the lens of the camera lucida: of organizing the space, both that of the interior of the workplace and that of the interior of the space of the canvas itself. The light enters the atelier/laboratory to form images on a sensitive surface - the surface of the canvas. The atelier becomes a development laboratory of the world. It is there that the images are formed and take shape. The successive stages continue with the preparation of the white background of the painting, which makes the different colors translucent. The screen starts to work as a light box, illuminated on its opposite side, from where the colors appear, by the transparency. The artist is just a controller of the alchemy of the process: he triggers a reaction by catalyzing the formation of images. Remembering Proust, the process of construction in painting would be one of these "time ecstasies," a disjunctive effect, more topological than temporal, of our exchange of experiences with the medium: the unknown presence of the light that passes through the glass to fix itself, shaping a figure, on a continuous flow of energies and tensions.
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DOI: https://doi.org/10.22456/2179-8001.79594
Direitos autorais 2017 Eduardo Vieira da Cunha

Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.
PORTO ARTE: e-ISSN 2179-8001
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