The contemporary photography and its pictorial sharings: antinomies and convergences

Niura Legramante Ribeiro

Resumo


The sharing between photography and painting in contemporary art may present at least two founding regimes for the creation of works: to propose antinomies as discontinuities between the contents of image representation and to verbal narratives associated to it, seeking to tension them, or, on the other hand, to seek convergence between text and image. This articles aims to think about how the universe of pictorial tradition serves as a compositional framework for photographic practices, through the case study of particular works by Dirnei Prates and Felipe Cama.

Palavras-chave


Photography. Painting. Sharings. Antinomies. Convergences.

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Referências


BARRETO, Silvia in After Post.

Disponível em: http://www.felipecama.com/after-post-texto. Acesso em 18 de fevereiro de 2016.

DURAND, Régis. La Experiencia Fotográfica. México: Ediciones Ve S.A. de C.V., 2012.

ELKINS, James. “História da Arte e Imagens que não são arte” in Revista Porto Arte. Porto Alegre, v. 18, n 30, maio, 2011.

MOREL, Gäel (org.) Photojournalisme et Art Contemporain. Paris, Éditions des Archives Contemporaines, 2008.

PICADÉ, Valérie; ARBAÏZAR, Philippe. (orgs.) La confusión de los géneros en fotografía. Barcelona: Gustavo Gili, 2004.

PRATES, Dirnei. Entrevista à autora em 15 de janeiro de 2016.




DOI: https://doi.org/10.22456/2179-8001.73729

Direitos autorais 2017 Niura Legramante Ribeiro

Licença Creative Commons
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.

PORTO ARTE: e-ISSN 2179-8001


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