Shared territory: crossroads of languages, space for reflection

Marilice Corona

Resumo


Contemporary painters like Mark Tansey and Michaël Borremans include photography and film in their artistic practices, reflecting, in shared territory and in a self-referential style, the undeniable technological mediation in which we see ourselves submerged. This article aims to analyze, inside this crossroads of languages, how a space for reflection is established.

Palavras-chave


Painting. Photography. Film. Self-reference. Representation.

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Referências


BORREMANS, Michaël. “Interview: Michaël Borremans by David Cooggins (03/01/2009)” in Art in America. Acesso: http://www.artinamericamagazine.com/features/michael-borremans/ , 2011.

A knife in the eye. Acesso https://www.youtube.com/watch?v=dhhUmwmlMtc, 2016.

DANTO, Arthur e TANSEY, Mark . Tansey: visions and revisions, Nova York: Harry N. Abrams, 1992.

MÖNIG, Roland . “The picture looking back” in Mark Tansey. German: Kerber Verlag, 2005.

ROGIERS, Patrick. “Avant-propos” in: L’ère du double: actes du colloque sur la gemellit. Marval, 1998, pp7-9.

TAYLOR, Marc C. The Picture in question: Mark Tansey & the ends of representation.

Chicago: The University of Chicago Press, 1999.

SARDO, Delfim. Michaël Borremans: Weight. Germany:Hatje Cantz, 2007.

SIMS, Patterson. Art and source. Seatle: Seatle Art Museum, 1990.

VOUILLOUX, Bernard. Le tableau vivant: Phryné, l’orateur et le peintre. Paris: Flammarion, 2002.




DOI: https://doi.org/10.22456/2179-8001.73727

Direitos autorais 2017 Marilice Corona

Licença Creative Commons
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.

PORTO ARTE: e-ISSN 2179-8001


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