In Valéry ’s "poiesis", the vertigo of the digit, memory and forgetfulness

Eduardo Vieira da Cunha

Resumo


The article presents a parallel between the processes of making art based on Paul Valéry’s poiesis, and attempts to establish a parallel between the digital models of decomposition and unfolding of the digital image and the weaves of simultaneous elements that occur in the process of making art. It seeks, in the dialectic relation between memory and forgetfulness, gaps and holes to deal with a process of artistic mutation.

Palavras-chave


Memory; Forgetfulness; Photography; Digital image

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DOI: https://doi.org/10.22456/2179-8001.43765

Direitos autorais 2013 Eduardo Vieira da Cunha

Licença Creative Commons
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.

PORTO ARTE: e-ISSN 2179-8001


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