Scattered nature: Miguel Bakun

Artur Freitas

Resumo


The painter Miguel Bakun worked during the 1940’s and 1950’s and his paintings are little known in the Brazilian art historiography. Bakun’s paintings can be interpreted as a way of questioning the dichotomy between “academic” and “modern” in Brazilian context. This questioning is interesting for an expanded understanding of Brazilian art in the first half of the 20th century.

Palavras-chave


Miguel Bakun; Brazilian art; Modernism

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DOI: https://doi.org/10.22456/2179-8001.37951

Direitos autorais 2013 Artur Freitas

Licença Creative Commons
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.

PORTO ARTE: e-ISSN 2179-8001


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