Presence Energy, the Main Goal of the Actor’s Training


  • Nicola Camurri Sophia Dalla Notte, University Of Genoa
  • Christian Zecca (Università di Genova, Genoa, Italy) University of Genoa


Presence Energy, Neuroendocrinology, Neuroscience, Organic Actor, Physiology,


What is
charisma? What is that attracts viewer’s attention? What characterizes the capacity to
act? These questions challenged many people. Following the suggestion made by those
questions, we provided a series of experiments aimed to prove the existence of a Presence
Energy that, by means of training and rehearsal, is able to change the proprioception of
the trained person and his power of observation. It is not a coincidence that many authors
and researchers tried to deepen the connection with mysticism and faith. This Presence
Energy’s existence interested lots of aspect above the theatrical one: it could become a path
for charisma and awareness.


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Biografia do Autor

Nicola Camurri, Sophia Dalla Notte, University Of Genoa

University of Genoa - NICOLA CAMURRI actor, director, acting professor. Graduated in Philosophy at the University of Genova – with the work “Schopenhaur and the music” specialized in Performing Arts & Entertainment at EUTHECA Foundation in Rome. President of “Sophia Dalla Notte” - Genoa. Founder of the magazine MAGult, Editor-in-Chief of the blog and Contributor for the magazine Net:Politics.

Christian Zecca (Università di Genova, Genoa, Italy), University of Genoa

University of Genoa - CHRISTIAN ZECCA director, actor, professor of theatre. President and professor at “LA QUINTA PRATICABILE” - Genoa. He starts is Accademic work with "Energy presence: investigation on the level of the report pre-espressive actor/spectator” at DAMS in Bologna. In Genoa he is fallowing the Ph. D in Digital Humanities - section DIRAAS. He pubblished “The Krolevsky's case” in 2012 for Falsopiano editore a depht study of the namesake film he directed.



Como Citar

Camurri, N., & Zecca (Università di Genova, Genoa, Italy), C. (2022). Presence Energy, the Main Goal of the Actor’s Training. Revista Brasileira De Estudos Da Presença, 5(2), 431–457. Recuperado de



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