TRÊS PARADIGMAS PARA A CENOGRAFIA: Instrumentos para a cena contemporânea

Authors

  • João Carlos Machado

DOI:

https://doi.org/10.22456/2236-3254.9024

Keywords:

Scenography (set design), Language, Perception.

Abstract

By analyzing the instruments available in the contemporaneousness’ scenography, and by observing moments in the history of theatrical staging, this text presents three main paradigms: the approach of art as mimetic representation; the approach of art as language; and the approach of art facing the process of spectator’s perception.

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Author Biography

João Carlos Machado

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Published

2009-06-10

How to Cite

Machado, J. C. (2009). TRÊS PARADIGMAS PARA A CENOGRAFIA: Instrumentos para a cena contemporânea. Revista Cena, (5). https://doi.org/10.22456/2236-3254.9024

Issue

No. 5 (2006)

Section

Artigos

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